In a lot of instances, bassists who employ slap techniques forget just how fatiguing the resulting high end frequencies can end up being. I was particularly taken aback by how well the 5th string kept a stellar amount of clarity from the first fret on up the neck, making it easy for me to carve out a sharp, bubbly tone that was perfect for slap and pop. Through a TC Electronic Classic 450 head and matching RS210 2x10 cabinet, the Arona pumped out throaty and defined lows with smooth midrange while I fingerpicked a hard blues groove.
The fruits of the Cort and Sandberg partnership proved to be quite formidable. Five sealed Sandberg-branded tuners keep the strings taut over the neck’s 24 frets. I was particularly taken aback by how well the 5th string kept a stellar amount of clarity from the first fret on up the neck, making it easy for me to carve out a sharp, bubbly tone that was perfect for slap and pop.Īttached to the body is a 34" scale, 24-fret, 3-piece maple neck carved with Sandberg’s C-shape profile, and topped with a robust-looking slab of rosewood with a 15 3/4" radius. Weighty Sandberg-designed bridge, crafted for top-loading each of the Topping off the body’s accouterments is a TheseĬontrols felt solid and sturdy to the touch and have a nice, satisfyingĬlick at their midway points. Volume control, along with a 2-band EQ for bass and treble frequencies,Īnd a Blend knob to tip the balance of each pickup’s output. The output of both pickups are governed by a single Delano, another company based in Germany, specializes in producingīoutique pickups that are found in Sandberg’s higher quality, moreĮxpensive models. Heaping MM-R humbucker in the bridge-are screwed directly into theīody. Twoĭesonic by Delano active pickups-a Jazz-F single-coil in the middle and a The Arona 5’s electronics are without a doubt its biggest draw. Sheen could be a deal breaker for some players after a bass with a more Regardless, the fact that it doesn’t have a smooth-looking This way, but rather a conscious decision to give the body a unique lookĪnd texture. Lack of quality control on Cort’s part to apply the body’s finish in In the finish, completing the bass’ rustic look and feel. With Cort’s Open Pore Brown Burst (OPBR). Noticeable pockmarks along the grain-and the review model was finished Theģ-piece body doesn’t have any grain filler applied-so there are The lower horn has a deep, contouredĬut that allowed my hand a considerable amount of access to the higherįrets of the neck, without any sort of discomfort or cramping. Rather large and extended upper horn, jutting out in length to the same The Arona 5’s 7.7-pound swamp ash body has a
Sandberg’s influence was most immediately apparent in the shape and Over the years, Sandberg has made quite a name for itself in the boutique guitar and bass market, with their modern, stylistic body-designs, quality builds, and instruments with a balanced tone across the tonal spectrum.
#Cort bass guitar 5 string series
The Arona series was developed in conjunction with Sandberg Instruments. One such bass-dubbed the Arona 5-attempts to take on the large tonal territory of the 5-string bass, with an infusion of tightness and clarity that isn’t normally associated with this style of instrument. Recently, the company began a partnership with German company Sandberg Instruments, with the intent of producing a line of basses that play and sound like high-end, high-priced counterparts-without the sticker shock. Big-name players have come onboard with Cort, with signature models designed for Matt “Guitar” Murphy (Muddy Waters, The Blues Brothers Band) and Gene Simmons (KISS). They’re one of those companies that has managed to produce a wide range and unbelievable amount of instruments-rivaling the amount of some of the industry’s most heralded brands. For many of us, our first guitars were Corts. Of the many companies that have produced guitars and guitar-related equipment through the years, Cort is certainly one of the most prolific and well-known.
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